Great Classics

Great Classics brings Saturday afternoon delights to music lovers. Have some lunch, stroll along the Sydney Opera House forecourt in the sunshine, then enjoy an inspiring concert.

Great Classics is also the perfect series for a family subscription and a great way to introduce younger music lovers to the thrill of orchestral music.

In 2010 the highlights include the return of Australian conductor Simone Young, flamboyant French pianist Jean-Yves Thibaudet, and two concerts from Vladimir Ashkenazy’s Mahler Odyssey.

FOUR OR SEVEN MATINEES AT THE SYDNEY OPERA HOUSE CONCERT HALL SATURDAY | 2PM
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Mahler 5

Richard Strauss and Mahler make a pair in this concert featuring one of Mahler’s most popular symphonies – the one with the heartbreakingly beautiful Adagietto for strings and harp.

LISTEN TO SAMPLES

Use < > buttons to scroll tracks - see below for listings.

Ashkenazy says it’s not just interesting but right to play the music of Richard Strauss alongside Mahler. They could have been rivals, but were friends, even though musically, as Mahler put it, they were like miners, tunnelling from opposite sides and “meeting on their subterranean ways”.

From one side this concert unearths the overture from Strauss’s first opera and strikes a seam of witty allusion in the virtuoso Burleske for piano and orchestra. From the other side comes Mahler’s Fifth Symphony, making its way from the sombre tread of a funeral march to the ecstasy of its finale. But our hearts are won by the musical declaration of love embraced by these two extremes: the Symphony’s Adagietto, in which strings and harp give voice to a wordless passion.

R STRAUSS Guntram: Prelude to Act 1
R STRAUSS Burleske for piano and orchestra
MAHLER Symphony No.5

Vladimir Ashkenazy conductor
Clemens Leske piano

 

PRE-CONCERT TALKS

Free pre-concert talk by Raff Wilson in the Northern Foyer, 45 minutes before each concert.

AUDIO PLAYER LISTING

Track 1 – R STRAUSS Burleske for piano and orchestra: excerpt
Jean-Yves Thibaudet, piano, with the Leipzig Gewandhaus Orchestra conducted by Herbert Blomstedt
DECCA 480 0404
Track 2 – MAHLER Symphony No.5: 1st movement (Funeral March)
Track 3 – MAHLER Symphony No.5: 3rd movement (Scherzo)
Track 4 – MAHLER Symphony No.5: 4th movement (Adagietto)
Bavarian Radio Symphony Orchestra conducted by Rafael Kubelik.
DEUTSCHE GRAMMOPHON 463 738-2

Audio kindly supplied by Universal Music.

Currently available from iTunes:
Strauss Burleske
Mahler

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Mahler 3

We’re ushering in the Sydney summer with Mahler’s sunniest and most irresistible symphony.

We’re ushering in the Sydney summer with Mahler’s Third Symphony – his sunniest symphony of all. “The finale is just unbelievably uplifting,” says Ashkenazy, “and no one, not even the most pessimistic person, will be able to resist it.” But before the music arrives at that glorious conclusion, radiant in its affirmation of love, it traces a musical journey inspired by nature and the dream of a summer morning.

It’s an expansive, all-embracing symphony that finds as much meaning in a dainty meadow flower as in the voices of angels. This, said Mahler, is a symphony that wakes from unfathomable silence and sings and rings!

Vladimir Ashkenazy conductor
Lilli Paasikivi mezzo-soprano
Ladies of the Sydney Philharmonia Choirs
Sydney Children’s Choir

Pre-concert talk by David Garrett in the Northern Foyer, 45 minutes before each performance.

** Customer Service Notice : Mahler 3 with the SSO **
Please note there will be NO interval at the Sydney Symphony’s performances of Mahler’s Third Symphony on 2, 3 and 4 December. The concert will last approximately 1 hr 45 mins. Latecomers will be admitted only after Part I, approximately 35 mins after the start of the concert.
We encourage you to arrive in good time to avoid missing the first part of the concert.

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Tchaikovsky's Pathetique

Music can transport you to a world of imagination and feeling. Join us for the energy of Beethoven, the lyricism of Schumann and the passion of Tchaikovsky.

LISTEN TO SAMPLES

Use < > buttons to scroll tracks - see below for listings.


Creativity makes us human. When Prometheus brought his clay statues to life it was the ancient power of harmony that turned them into thinking, feeling creatures. That might be a myth, but who hasn’t felt the civilising power of music?

With Beethoven’s Prometheus overture, the lyrical heart of Schumann’s concerto, and the impassioned Sixth Symphony of Tchaikovsky, this is a concert of deep sentiment and heightened feelings – music to take you beyond the everyday.

Read more about Johannes Moser from The Sydney Morning Herald.

BEETHOVEN The Creatures of Prometheus: Overture
SCHUMANN Cello Concerto
TCHAIKOVSKY Symphony No.6, Pathétique

Alexander Vedernikov conductor
Johannes Moser cello

 

AUDIO PLAYER LISTING

Track 1 – BEETHOVEN The Creatures of Prometheus: Overture
Berlin Philharmonic conducted by Herbert von Karajan
DEUTSCHE GRAMMOPHON 445 112-2
Track 2 – SCHUMANN Cello Concerto: introduction
Lynn Harrell, cello, with the Cleveland Orchestra conducted by Neville Marriner
DECCA 442 8410
Track 3 – TCHAIKOVSKY Symphony No.6 (Pathétique): 1st movement (Adagio)
Track 4 – TCHAIKOVSKY Symphony No.6 (Pathétique): 3rd movement (Allegro molto vivace)
L’Orchestre de la Suisse Romand conducted by Ernest Ansermet
DECCA 480 0563


Audio kindly supplied by Universal Music.

Currently available from iTunes: Beethoven

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Romantic Rapture

The fervent drama of Wagner and the transcendence of Bruckner frame a ravishing violin concerto.

Szymanowski’s Violin Concerto begins with magical, shimmering sounds that seem to have flown straight out of Stravinsky’s Firebird ballet. It’s music born in the crucible of Romanticism, Impressionism and something more: a truly unique voice. Szymanowski sends his soloist soaring to ecstatic heights in music of rarefied beauty, luxuriant and lively.

The euphoria continues with Bruckner’s finest and most beautiful symphony. If you’re a Bruckner fan there’s really no more to say – you’ll want to hear Simone Young conduct this music. If you’re still to be won over, brace yourself for an intoxicating experience. Bruckner transcends Beethoven to build a noble architecture on the grandest scale – flamboyant and contemplative, earthy and spiritual. Sublime.

WAGNER Lohengrin: Prelude to Act III
SZYMANOWSKI Violin Concerto No.1
BRUCKNER Symphony No.7

Simone Young conductor
Baiba Skride violin*

* Please note change of artist.

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Saturday , 2:00 PM

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