Meet the Music

For the young and the young-at-heart, Meet the Music offers a taste of orchestral music at its most inviting and diverse.

In every concert you can hear a great masterpiece, something unexpected, and the best of Australian composers, young and old. Meet the Music is absolutely the best way to get to know orchestral music in all its strengths.

So when you subscribe you’re joining the generations of music lovers who’ve “met the music” – enjoying favourites and making discoveries. Every concert is a journey and composer and broadcaster Andrew Ford will be your guide.

FOUR CONCERTS IN THE SYDNEY OPERA HOUSE CONCERT HALL INTRODUCED BY ANDREW FORD (ABC RADIO NATIONAL) WEDNESDAY OR THURSDAY | 6.30PM
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Tchaikovsky's First Piano Concerto

Tchaikovsky’s First Piano Concerto is the Romantic jewel at the centre of an intoxicating concert.

Thomas Adès’ Asyla is huge, and it calls for a huge orchestra. We meet the challenge by joining forces with the youthful talents of our exceptional mentoring orchestra, the Sydney
Sinfonia, in our very first “Side-by-Side” concert. With old hands and fresh faces we’ll form a super orchestra to play this madhouse of a piece with its thrilling contrasts and pop culture influences – The Rite of Spring meets club music.

Maxwell Foster is another youthful talent, and he’ll be performing the concerto that won him the ABC Symphony Australia Young Performer of the Year award in 2008 when he was 16. This concerto isn’t a chart topper for nothing: Tchaikovsky marries virtuoso power to his famous soaring melodies for the perfect blend of brilliance and poetry. Lucid orchestral colours and dancing rhythms frame an intoxicating concert.

P STANHOPE Fantasia on a Theme by Vaughan Williams
TCHAIKOVSKY Piano Concerto No.1
ADÈS Asyla*
TCHAIKOVSKY Nutcracker: Suite*

Richard Gill conductor
Thomas Adès conductor*
Maxwell Foster piano
Sydney Sinfonia(Side-by-Side with
the Sydney Symphony)*

Pre-concert talk by composer Paul Stanhope in the Northern Foyer at 5.45pm (20 and 21 October only)

TEA & SYMPHONY - 22 OCT
Short program: Stanhope and Tchaikovsky concerto

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Beethoven’s Emperor

The heroic spirit of Beethoven’s great Emperor piano concerto meets the musical adventure of Wagner’s Ring cycle.

LISTEN TO SAMPLES

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Beethoven was the first musical hero and as far as some of us are concerned he’s the greatest of them all. His Emperor Concerto takes the heroic spirit of the Napoleonic age and turns it into music that’s muscular and commanding, wrapping the noblest of emotions in breathtaking virtuosity. It’s weighty music for a powerful pianist like François-Frédéric Guy.

Wagner’s Ring of the Nibelung brought together a whole raft of heroes in a massive cycle of four operas that begins in the Rhine and ends with the halls of Valhalla aflame. At 20 hours it’s too much for one concert, but Alexander Briger has chosen the orchestral highlights, beginning with the Ride of the Valkyries, for a Wagnerian musical adventure – minus the singing!

THE HALL OF HEROES
LEDGER
Arcs and Planes
BEETHOVEN Piano Concerto No.5 (Emperor)
WAGNER The Ring of the Nibelung: An Orchestral Suite

Alexander Briger conductor
François-Frédéric Guy piano

TEA & SYMPHONY - 19 MARCH
Short program: Beethoven, Wagner

You can also read our interview with François-Frédéric Guy.

AUDIO PLAYER LISTING

Track 1 – BEETHOVEN Piano Concerto No.5 (Emperor): 1. Allegro
Track 2 – BEETHOVEN Piano Concerto No.5 (Emperor): 2. Adagio un poco mosso
Track 3 – BEETHOVEN Piano Concerto No.5 (Emperor): 3. Rondo (Allegro)
Radu Lupu, piano, with the Israel Philharmonic Orchestra conducted by Zubin Mehta
DECCA 66 6892

Visit again closer to the concert for more highlights from this program.

Audio kindly supplied by Universal Music.

Currently available from iTunes

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Sibelius 5

Celestial vision and heavenly inspiration in a concert that begins with Beethoven and ends with Sibelius’s magnificent Fifth Symphony.

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In space, if you listen, you can hear the stars sing. Georges Lentz, with his profound musical vision and love of the night sky, brings that sound into the concert hall – pure and serene.

We premiered Guyuhmgan in 2001, and for its return Lentz has added solos for two of our woodwind principals. The music’s soft tones find affinity in the delicate austerity of Stravinsky’s Symphonies of Wind Instruments, and Beethoven’s heroic tone-poem in miniature balances Sibelius’s most memorable symphony.

Sibelius also claimed heavenly inspiration. Writing his Fifth Symphony, he said it was if God had thrown down mosaic pieces from heaven and asked him to put them back as they were – for Sibelius composing was like a celestial jigsaw puzzle, an aching mystery that even he didn’t fully understand. We may not understand the process either, but we recognise the result – invigorating and life-affirming.


HARMONY FROM HEAVEN
BEETHOVEN
Leonore Overture No.3
LENTZ Guyuhmgan
STRAVINSKY Symphonies of Wind Instruments
SIBELIUS Symphony No.5

Matthew Coorey conductor
Diana Doherty oboe
Alexandre Oguey cor anglais

TEA & SYMPHONY - 14 MAY
Short program:
Beethoven, Lentz and Sibelius.

PRE-CONCERT TALKS

Free pre-concert talk by David Garrett in the Northern Foyer, 45 minutes before the concerts on 12, 13, and 17 May. (Not talk before Tea & Symphony.)

AUDIO PLAYER LISTING

Track 1 – BEETHOVEN Leonore Overture No.3
Berlin Philharmonic conducted by Herbert von Karajan
DEUTSCHE GRAMMOPHON 445 112-2
Track 2 – LENTZ Guyumhgan
Sydney Symphony conducted by Edo de Waart
ABC CLASSICS 472 397-2
Track 3 – STRAVINSKY Symphonies of Wind Instruments (1920 version)
Berlin Philharmonic conducted by Pierre Boulez
DEUTSCHE GRAMMOPHON 457 616-2
Track 4 – SIBELIUS Symphony No.5: 3rd movement (Allegro molto)
London Symphony Orchestra conducted by Anthony Collins
DECCA 442 9493

Audio kindly supplied by Universal Music.

Currently available from iTunes: Beethoven

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Divine Dances

From a mood of wild abandon to the mysteries of the spirit, this concert swings to the extremes.

LISTEN TO SAMPLES

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In Dvorák’s noisily exuberant Carnival Overture, night-time revellers vent their feelings in songs and dances. Ross Edwards’ dancing-chanting violin concerto veers between deep introspection and ecstatic rhythms, and it has an irrepressible impulse to dance that’s made it a winner with audiences all over the world.

But for philosophy, euphoria and a dizzying vision of music, no one can beat Scriabin, the Russian mystic. His Divine Poem is no mere symphony – it’s a revelation of the pleasures of the physical senses and the joys of “untrammelled existence”.

DVORÁK Carnival Overture
EDWARDS Maninyas – Violin Concerto
SCRIABIN The Divine Poem (Symphony No.3)

Vladimir Ashkenazy conductor
Dene Olding violin

 

AUDIO PLAYER LISTING

Track 1 – DVORÁK Carnival Overture
Los Angeles Philharmonic conducted by Zubin Mehta
DECCA 476 9907
Track 2 – EDWARDS Maninyas – Violin Concerto
Dene Olding, violin, with the Sydney Symphony Orchestra conducted by Stuart Challender
ABC CLASSICS 438 6102
Tracks 3 and 4 – SCRIABIN Divine Poem (Symphony No.3)
Berlin Radio Symphony Orchestra conducted by Vladimir Ashkenazy
DECCA 460 2992

Audio kindly supplied by Universal Music

Currently available for purchase: Scriabin

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