A major commissioning project supporting the future of Australian music
In 2020, the Sydney Symphony Orchestra introduces 50 Fanfares – a multi-season initiative which will see the Sydney Symphony commission and present the world premieres of new music by 50 Australian composers.
The project has been designed to represent a broad range of Australian voices and music styles. Composers were selected on recommendations received from a national nominations panel of 100 musicians, artists, educators and culture industry leaders across Australia over the past year.
The 50 Fanfares will be progressively performed over 2020, 2021, and 2022, with premieres culminating in 2022 when the Sydney Symphony returns to its home at the Sydney Opera House Concert Hall. The Concert Hall is currently undergoing a two-year program of construction and acoustic renewal. The first of the 50 works to be performed will be by First Nation composer Christopher Sainsbury as part of A Global Ode to Joy at the Sydney Town Hall in August.
Read about the composers who will bring this project to life.
Play your part in the future of orchestral music in Australia and beyond.
Katy Abbott's music explores our passions, fears and motivations using contemporary musical flavours in traditional musical settings.
Andrew Aronowicz is a Melbourne-based composer whose music is imbued with fantasy and colour, woven into beautiful and abstract sound pictures.
Michael Bakrnčev is a professional young multi-award winning composer within his first ten years whose music has been performed globally.
For two decades, William Barton has vastly expanded the horizons of the didgeridoo and the culture and landscape that it represents.
Paul-Antoni Bonetti's compositions are characterised by the curiosity to incorporate eclectic elements drawn from hip-hop and rock to renaissance and baroque style.
Lyle Chan’s compositions are known for their combination of intellectual rigor and powerful emotional impact, even for audiences unaccustomed to classical music.
Alice Chance is a sought-after composer, conductor, arranger and lyricist, and two-time finalist in the APRA Art Music Awards.
Through the dynamic fusion of opera, classical music and circus, Chloé Charody has created a unique style of music.
Deborah Cheetham, Yorta Yorta woman, soprano, composer and educator has been a leader and pioneer in the Australian arts landscape for more than 25 years.
Connor D’Netto has been described as "the model contemporary Australian composer" by ABC Classic FM.
From the age of eight, Melody Eötvös began learning the cello which coincided with her first experimentations in composition.
Mary Finsterer is recognised as one of Australia’s most innovative composers.
William Gardiner is an Australian composer of acoustic and electronic music, characterized by a fierce attention to sonic detail.
Brenda is a Yuin woman, originally from Wreck Bay, south coast NSW. She is currently the Inaugural First Peoples Composer in Residence with Ensemble Offspring.
Iain Grandage is one of Australia’s most highly regarded collaborative artists, having won Helpmann Awards for his compositions for theatre, dance, opera and more.
The music of composer Maria Grenfell has been described as ‘expansive, effusive and energetic’, ‘magic,’ and ‘refreshingly groovy’.
Gordon Hamilton's music often subverts expectations of the orchestra, including Thum Prints for beatboxer Tom Thum and 482 Variations on a Very Short Theme.
Holly Harrison's music is driven by the nonsense literature of Lewis Carroll, embracing stylistic juxtapositions, the visceral energy of rock, and whimsical humour.
James Henry has been in demand as a composer and sound designer writing various blends of traditional Aboriginal and contemporary genres.
Matthew Hindson is one of the most-performed and most-commissioned composers in the world, and a leading Australian composer of his generation.
Mark Holdsworth's compositions include a substantial catalogue of orchestral works as well as repertoire for large ensemble, chamber ensemble, and soloist.
Andrew Howes is a Sydney-based composer, building an international reputation for orchestral and choral music.
Annie Hui-Hsin Hsieh is a Taiwanese-Australian composer of acoustic and electroacoustic music currently based in the United States.
Elena Kats-Chernin’s vibrant and distinctive music featured at the opening ceremonies of the 2000 Sydney Olympic Games and the 2003 Rugby World Cup.
David John Lang writes music for orchestras, choirs, singers and instrumentalists, always seeking to create art that is inventive, thoughtful and heartfelt.
Liza Lim is an Australian composer whose music focusses on collaborative and transcultural practices.
Sydney based Ella Macens is a fast-emerging composer with a passion for choral, orchestral and chamber music writing.
Cathy Milliken is a versatile performer known for her sonic improvisations using oboe and voice.
Jordan Moore is a young composer from the rural city of Geraldton in the mid west region of Western Australia.
Kate Moore is an Australian-Dutch musician and composer of new music, and the recipient of the prestigious Matthijs Vermeulen Prize.
Kate Neal is an artist with over 20 years’ experience as a composer, arranger, teacher, artistic director and collaborator.
Sydney composer, PhD candidate and music educator Natalie Nicolas completed her MMus (Composition) under scholarship at the Sydney Conservatorium of Music.
Peggy Polias is a Sydney-based composer, music engraver, and arts administrator.
Christopher Sainsbury has made a sustained contribution to Australian music since the mid-1980s, and teaches composition at the Australian National University.
Georgia Scott has had works premiered in venues such as the National Portrait Gallery, London, St. Martin-in-the-Fields, and the Sydney Opera House.
Harry Sdraulig's commissioned works have been performed by ensembles including the Melbourne, Queensland and Tasmanian Symphony Orchestras.
Hailed by The Australian as possessing a ‘rare gift as a melodist’, Lachlan Skipworth writes across the mediums of orchestral, chamber, vocal, and experimental music.
Paul Stanhope is an award-winning Sydney-based composer and a leading figure in his generation.
Luke Styles was the first Glyndebourne Young Composer in Residence, and the first composer in residence at the Foundling Museum since Handel.
Joseph Tawadros is a multi-award-winning composer and virtuoso player of the oud, a Middle Eastern lute.
Louisa Trewartha completed a BMus in 2010 at the University of Melbourne, and in 2013 studied at the Australian National Academy of Music.
Alex Turley lives and works in Melbourne, where he spends his time composing both acoustic and electroacoustic concert works.
Born in Australia and now living in the United States, composer/arranger Joseph Twist straddles film music and concert music arenas.
Bree van Reyk is a drummer, percussionist, composer and sound artist who makes unconventional and tradition-challenging performance works.
Carl Vine is one of Australia’s best known composers, with an impressive orchestral catalogue featuring eight symphonies and twelve concertos.
Jessica Wells is a versatile composer, orchestrator, and arranger for concerts, films, theatre, and album recordings.
Natalie Williams is a composer of new music for the classical stage.
Elizabeth Younan is an Australian-Lebanese composer from Sydney, currently living in Philadelphia, USA.
Miriama Young is an award-winning composer of chamber, orchestral and electronic works, based at Melbourne Conservatorium of Music.
Julian Yu studied composition at China’s Central Conservatory of Music, where he later taught, and at the Tokyo College of Music.
The 50 Fanfares project recognises and celebrates the role Australian composers and musicians in creating our nation’s musical voice.
The 50 composers who are part of this project are drawn from across a wide spectrum of musical interests and styles. 50 Fanfares looks to the future of Australian art music and provides a platform for emerging artists as well as established composers. All of them reflect the rich diversity and exceptional talent that underpins our creative culture.
Each commissioned work will reveal a different story and your support is instrumental in ensuring these stories are heard today and into the future. The commissioning journey is a unique opportunity to be part of a work’s creation – from conception to world premiere performance.
By donating, you are not only supporting the creation of a new work, but ensuring Australia’s rich and distinctive compositional voice continues for generations to come.
To discuss your support or learn more about how you can play your part in this landmark project, contact Callum Close, Philanthropy Manager on (02) 8215 4625 or email@example.com