Sydney Symphony Orchestra’s Chief Conductor, Simone Young has previously held the posts of General Manager and Music Director of the Hamburg State Opera and Music Director of the Philharmonic State Orchestra Hamburg, Music Director of Opera Australia, Chief Conductor of the Bergen Philharmonic Orchestra and Principal Guest Conductor of both the Gulbenkian Orchestra, Lisbon and the Lausanne Chamber Orchestra. Her appointment as Chief Conductor of the Sydney Symphony Orchestra has recently been extended through until the end of 2029.

An acknowledged interpreter of the operas of Wagner and Strauss, she has conducted complete cycles of Der Ring des Nibelungen at the Bayreuth Festival, Vienna Staatsoper, Berlin Staatsoper, Hamburg Staatsoper and, in 2026, La Scala Milan.

Simone Young has an extensive and celebrated recording catalogue. Her first performance as Chief Conductor in Sydney, featuring Mahler’s Symphony No.2 Resurrection and the world premiere of William Barton’s Of the Earth was released worldwide on Deutsche Grammophon, and performances of Elgar & Vaughan Williams, Das Rheingold and Gurrelieder have been filmed for Sydney Symphony On Demand. Her Hamburg recordings include the Ring Cycle, Mathis der Maler (Hindemith), Das Buch mit sieben Siegeln (Schmidt) and symphonies of Bruckner, Brahms and Mahler. She has also recorded Benjamin Britten Folksongs and songs of Richard Strauss with Steve Davislim, and songs by Wagner and Strauss with Lisa Gasteen.

Simone Young’s return invitations to the great orchestras of the world in 2026 will include the Suisse Romande, the Orchestre nationale de Lyon, West German Radio Orchestra Cologne, Orchestre philharmonique de Radio France Paris, National Symphony Orchestra Washington, Los Angeles Philharmonic, the San Francisco and Montreal Symphony Orchestras, Berlin Radio Symphony Orchestra, Bavarian Radio Symphony Orchestra, Philharmonia Orchestra, London and the BBC Philharmonic Orchestra, Manchester. She also returns to ANAM, Melbourne to lead their orchestra in a 30th birthday celebration Gala performance.

Firmly established as one of the world’s leading opera conductors, 2026 will see Simone Young return to the Berlin Staatsoper (Lohengrin and Nabucco), La Scala Milan (the Ring cycle and a new work by Luca Francesconi) and Götterdämmerung, completing Sydney Symphony’s Ring Cycle.

The presentation of Sydney Symphony Orchestra’s Ring Cycle in concert, commencing in 2023, has played to sold out audiences, standing ovations and 5-star reviews. A second, feature-length documentary film, Knowing the Score, showcasing Simone Young and her career was also internationally released in 2023.

In 2025 Simone Young was awarded an Honorary Doctorate from the University of Sydney. Her many accolades also include the 2024 Conductor of the year (British Opera magazine), Honorary Member (Ehrenmitglied) of the Vienna State Opera, the 2019 European Cultural Prize Vienna, a Professorship at the Musikhochschule in Hamburg, Honorary Doctorates from the Universities of Western Australia and New South Wales, Griffith University and Monash University, the Sir Bernard Heinze Award, the Goethe Institute Medal, the 2013 Helpmann Award for Best Individual Classical Music Performance and the Chevalier de l’Ordre des Arts et des Lettres, France.

Judy & Sam Weiss Chair

Sydney-born violinist Harry Bennetts studied at the Australian National Academy of Music under Dr. Robin Wilson, and in the Karajan Academy of the Berlin Philharmonic Orchestra mentored by concertmaster Noah Bendix-Balgley. His first years of violin lessons were in the Suzuki method and his subsequent teachers were Philippa Paige and Mark Mogilevski.

Following a series of success in national competitions, Harry has performed concerti as soloist with the Melbourne, Tasmanian, Willoughby, and Canberra Symphony orchestras. He has performed recitals in concert halls that include the Melbourne Recital Centre Salon, Ukaria Cultural Centre, Sydney Opera House Utzon Room, as well as numerous regional centres. He has performed chamber music at festivals in Townsville, Huntington, Baden-Baden, Cologne, Berlin and Melbourne.

Whilst still completing his studies, Harry was accepted into the International Musicians Seminar at Prussia Cove in the class of Thomas Adès, and performed as an Emerging Artist with the Australian Chamber Orchestra (with whom he now tours as a guest). During his time studying in Germany he performed regularly with the Berlin Philharmonic Orchestra at their home in the Philharmonie and on their European tours. He has participated in masterclasses and lessons with Pinchas Zuckerman, Boris Kuschnir, Midori Gotō, Christian Tetzlaff and members of the Belcea and Doric string quartets.

Harry Bennetts plays a 1716 Grancino violin, affectionately named the ‘Hazelwood’ violin, formerly belonging to Donald Hazelwood AO OBE, concertmaster of the Sydney Symphony from 1965–1998.

The Hazelwood violin is generously loaned to the Sydney Symphony Orchestra by Vicki Olsson.