British conductor Alexander Soddy ranks among the most sought-after conductors of his generation and is regularly engaged by the world’s leading orchestras and opera houses.

In the 2025/26 season, Soddy will return to several of Europe’s foremost stages to lead major new productions. He continues his close collaboration with Teatro alla Scala, conducting Così fan tutte and concluding the house’s acclaimed new Ring cycle with Siegfried, Götterdämmerung and the full cycle. He returns to the Vienna State Opera for performances of Elektra, Der Rosenkavalier and Raskatov’s Animal Farm, and makes further return appearances at both the Royal Opera House, Covent Garden and the Staatsoper Unter den Linden with Samson et Dalila and at the Maggio Musicale Fiorentino with Macbeth.

In concert this season, Soddy makes his debut with the NHK Symphony Orchestra at the Tokyo Spring Festival, conducting Der fliegende Holländer in concert. He also returns to the Vienna Symphony Orchestra for performances at the Musikverein and an international tour, and makes debuts with the Sydney Symphony Orchestra and returns to the Orchestra dell’Accademia Nazionale di Santa Cecilia in Rome. In summer 2025, he made his debut at the Seiji Ozawa Matsumoto Festival, conducting the Saito Kinen Orchestra.

Recent seasons have included important milestones, such as conducting the world premiere of Kirill Serebrennikov’s production of Lohengrin at the Opéra national de Paris, conducting Das Rheingold and Die Walküre to begin the Teatro alla Scala's new Ring Cycle, his debut conducting at the Concertgebouw with the Netherlands Philharmonic in Mahler’s Fifth Symphony, and a return to the Philharmonia Orchestra to conduct Capriccio at the Edinburgh International Festival.

Soddy is a regular guest at the leading German-speaking opera houses. At the Vienna State Opera, his repertoire has included the Vienna premiere of Raskatov’s Animal Farm as well as Otello, Elektra, Hänsel und Gretel, Carmen, Die Zauberflöte, Lady Macbeth of Mtsensk, Salome, Il barbiere di Siviglia and Parsifal. At the Staatsoper Unter den Linden (Berlin State Opera), he has conducted Lohengrin, Der Rosenkavalier, Fidelio, Der Freischütz, La bohème and Die Zauberflöte.

Elsewhere, Soddy’s notable opera appearances include Così fan tutte, Tannhäuser and Salome at the Royal Opera House, Covent Garden; Aida, La bohème and Madama Butterfly at the Metropolitan Opera; Elektra at the Deutsche Oper Berlin; Die Zauberflöte and La bohème at the Bayerische Staatsoper; La Traviata at Tokyo Nikikai Opera Theatre; Der Freischütz at Semperoper Dresden; productions of La bohème and Madama Butterfly at the Royal Swedish Opera and a pairing of works by Arnold Schönberg and Frank Martin at the Oper Frankfurt.

Equally in demand as a symphonic conductor, Soddy has led recent concerts with the Orchestra dell'Accademia Nazionale di Santa Cecilia, Vienna Symphony Orchestra, Philharmonia Orchestra, Berner Symphonieorchester, Yomiuri Nippon Symphony Orchestra, Tokyo Metropolitan Symphony Orchestra, Copenhagen Philharmonic, Munich Radio Orchestra, Royal Swedish Orchestra, Norwegian National Opera Orchestra, Orquestra de València, Oregon Symphony, Atlanta Symphony Orchestra and the Bournemouth Symphony Orchestra.

From 2016 to 2022, Soddy served as General Music Director of the Nationaltheater Mannheim, where he focused on the core German and Italian operatic repertoire. He was also Artistic Director of the house’s Akademiekonzerte series, where his programming centred on the symphonic works of Bruckner and other Romantic composers. Previous positions include Chief Conductor at the Stadttheater Klagenfurt (2013–2016) and Kapellmeister at the Hamburg State Opera (2010–2012).

Born in Oxford, Soddy studied at the Royal Academy of Music, the University of Cambridge, and the National Opera Studio in London.

Anna Lapwood MBE is an organist, conductor and broadcaster. She is the official Organist of the Royal Albert Hall and is Artist in Association with the BBC Singers. In Spring 2025, Anna was included in the annual Sunday Times Young Power List, celebrating the 30 most powerful people under 30 in the UK. Anna completes her transformational decade as Director of Music at Pembroke College, Cambridge in August 2025 with an all-night BBC Prom at London’s Royal Albert Hall.

Anna made her debut at the BBC Proms in 2021 with The Hallé and Sir Mark Elder, as soloist in Saint-Saëns’ ‘Organ Symphony’, and gave her Proms recital debut two years later. She returned to the Proms in August 2025 to host a special all-night program, From Dark Till Dawn, featuring performances from Barokksolistene, Hayato Sumino and many more. A concerto soloist with leading orchestras and conductors, including the London Symphony Orchestra and Sir Antonio Pappano, Anna will serve as Artist in Residence with The Hallé throughout the 2025-26 season. Recent and forthcoming concerts include performances at Hamburg’s Elbphilharmonie, the Sydney Opera House, Walt Disney Concert Hall (Los Angeles) and Boardwalk Hall (Atlantic City).

Deeply committed to the creation of new work for organ and choir, Anna’s recent commissions include compositions by Kristina Arakelyan, Olivia Belli, Max Richter and Lucy Walker. Her desire to explore fresh creative pathways is likewise reflected in pioneering partnerships with, among others, Aurora, Florence and the Machine, Raye, Jules Buckley, Alison Balsom, Bonobo and Benedict Cumberbatch. She attracted capacity audiences in 2024 to her first UK tour promoted by AEG Presents and is set to headline a second nationwide tour for AEG during the Christmas season in 2025.

Anna’s debut solo organ album, Images, released on Signum Records in 2021, features her transcription for organ of the Four Sea Interludes from Britten’s Peter Grimes. Three albums with the Choirs of Pembroke College have also been released on Signum to great acclaim. Her exclusive relationship with SONY Classical was launched with an EP, Midnight Sessions at the Royal Albert Hall, followed in September 2023 by her debut album, LUNA, which rose to No.1 in the UK’s classical chart and became the year’s fastest selling classical album. Her latest album, Firedove, is scheduled for release in May 2025.

Anna is an ardent champion of the organ. A gifted communicator, hailed by Gramophone as ‘the dream ambassador for classical music’, she reaches a vast audience through her performances and via social media, attracting over two million followers across all platforms. Her online posts have already amassed tens of millions of views. Anna’s passion for the organ is matched by her mission to support girls and women in music. She became the first female in the 560-year history of Magdalen College, Oxford to be awarded an Organ Scholarship; since her appointment as Pembroke’s youngest ever Director of Music in 2016, she has run regular workshops for young organists around the UK, hosted the Cambridge Organ Experience for Girls and held an annual 24-hour ‘Bachathon’ to raise money to support musicians in Zambia.

After making her TV presenting debut as host of BBC Young Musician, Anna subsequently presented and guested on televised Proms for the BBC from the Royal Albert Hall. As a radio broadcaster, she is a regular contributor to BBC Radio 3, BBC Radio 4 and independent stations and has appeared in many international television and radio programmes and podcasts. Her six-part series for BBC Radio 3, A View From the Organ Loft, was broadcast in 2024 followed by a three-part series, The Royal Albert Hall of Fame, for Classic FM in 2025.

A persuasive advocate for music education, Anna is determined to bring music to children of all backgrounds. Her commitment to equality and diversity is evident throughout her life and work, not least in the new music that she has commissioned and programmes in her recitals across Europe and North America. Gregoriana, an anthology of twelve new organ pieces by female composers, which she curated and edited for Stainer & Bell, was awarded Presto Music’s Publication of the Year in 2022. Her own compositions are published by Boosey & Hawkes.

Having spent some years being encouraged to “play like a man”, Anna is proud and humbled to see so many adopt her hashtag #playlikeagirl.

Tim Hansen is a multi-disciplinary artist, with a professional career spanning 20 years in the fields of music and theatre. He is a composer, songwriter, cabaret performer, actor, educator, and advocate for the Arts as a vital means for social justice and social cohesion. He currently lives on Wiradjuri country in Australia.

Tim’s style draws from a lifetime of eclectic music tastes and a deep fascination for how music ‘works’. As a result, Tim’s music and songs can trace their lineage to anything from German cabaret to 21st Century Post-Minimalism, from contemporary music theatre to classic jazz, the most bubble-gum of pop to the weirdest experimental music. If it works, it works.

Much of Tim’s work is a fusion of music and theatre, and his biggest works draw from his two strengths. “The Sharpest Piece” (2017), a song cycle commissioned by Hourglass Ensemble, a gothic work about a woman who believes she is made of glass. “Airlock” (2018), a cabaret of original songs about the end of the world, written in response to the Same-Sex Marriage plebiscite in Australia that year. “Schapelle Schapelle” (2019), a comedy musical about the media’s role in dehumanising the controversial drug-smuggler Schapelle Corby. “Fast Cars” (2023), a comedy with music examining the world-famous Bathurst 1000 V8 car race and the nostalgic place it holds in the town of Bathurst. He currently performs original tunes under his cabaret alter-ego, Tim Handsome.

A core component of Tim’s practice is engaging with young people, and he believes that access to music education and artistic expression is a fundamental right of every young person. He is currently engaged with Musica Viva as part of their “Musician in the Classroom” program, working in a primary school in an area of socio-economic disadvantage, teaching the teachers how to teach music to their students. He was composer in residence at Santa Sabina College for seven years, and has tutored with a number of youth-arts organisations around Australia including Australian Theatre for Young People, Music for Everyone, and Canberra Youth Theatre.

Tim is a passionate believer in the arts as a means to address issues of social justice, and has worked with organisations such as Milk Crate Theatre and Shopfront Youth Theatre to do so. By giving artistic access and therefore a voice to segments of the community that are forced into invisibility, such as those who have experienced homelessness, discrimination, or stigmatism due to mental health issues, Tim believes we can make steps towards healing those wounds and move forward as a society to address larger issues that affect us all, such as wealth inequality and climate change. 

Tim actively promotes art, music and celebration in the wider community, through producing festivals and large-scale arts events. He is currently program manager for Percussion Australia, managing Taikoz and Synergy Percussion, co-founder of two new music collectives in New York (W4 New Music and ExhAust New Music), and has produced one-off events in Sydney, Canberra, and NSW Central West. Tim also ran in the 2019 NSW State Election with Keep Sydney Open, a campaign designed to put political pressure on the incumbent government to address the decline of the music industry in Sydney due to poor arts policy.

In 2018 Tim was a finalist in the Vanda and Young Songwriting competition, one of 40 shortlisted artists from over four thousand entries. Residencies include Artist in Residence at the Red Rattler Theatre, the New Musicals Australia program at the Hayes Theatre, composition fellow at the Bang on a Can Summer Institute, the Norfolk Contemporary Music Festival, the Avaloch New Music Institute, and twice artist-in-residence at Hill End, NSW.

Tim holds a BA (Communications) Theatre/Media (1st Class Hons) from CSU, a BMus (Music Composition) from ANU, and a MMus (Music Theory and Composition) from NYU.