Over the course of a career spanning 45 years, Sir Donald Runnicles has built his reputation on enduring relationships with major symphonic and operatic institutions. Focusing on depth over breadth, he has held chief artistic leadership positions at the Deutsche Oper Berlin (since 2009), Grand Teton Music Festival (since 2005), San Francisco Opera (1992–2008), BBC Scottish Symphony Orchestra (2009–2016), and Orchestra of St. Luke’s (2001–2007). Sir Donald was also Principal Guest Conductor of the Atlanta Symphony Orchestra for more than two decades (2001–2023), and he is the first ever Principal Guest Conductor of the Sydney Symphony Orchestra (since 2019). In February 2024, Runnicles was appointed as Chief Conductor of the Dresden Philharmonic, which will begin with the 2025/26 season.

Known as a consummate Wagnerian and conductor of German Romantic repertoire, Runnicles leads Deutsche Oper Berlin this season in a new production of the Richard Strauss rarity, Intermezzo, directed by Tobias Kratzer, as well as revival performances of Parsifal and two full cycles of Wagner’s Ring des Nibelungen. At the Metropolitan Opera, he conducted eight performances of the Otto Schenk production of Tannhäuser. Other 2023/24 appearances include the Dresden Philharmonic, Dallas Symphony, Cincinnati Symphony, and Utah Symphony, where he led the world premiere of a new concerto written and performed by Sir Stephen Hough.

Runnicles spends his summers at the Grand Teton Music Festival in Jackson, Wyoming. This eight-week festival of symphonic and chamber music, five of which are programmed, planned, and conducted by Runnicles as music director, takes place amid the breathtaking beauty of Grand Teton National Park. Summer 2024 GTMF festival highlights included a semi-staged The Magic Flute, concerts with Augustin Hadelich and Yo-Yo Ma, and two fifth symphonies by Mahler and Vaughan Williams.

Runnicles’ 2024/25 season opens with a 70th birthday celebratory concert closing the Edinburgh Festival with Bruckner’s Ninth Symphony, after which he opens the Dresden Philharmonic season and then continues to Berlin for a concert with the Deutsche Oper Berlin Orchester as part of the Berlin Festival. Runnicles’ 2024/25 Deutsche Oper Berlin season includes a new production of Richard Strauss’ Die Frau ohne Schatten and revivals of the Zemlinsky one-act opera Der Zwerg (The Dwarf), Arabella, Intermezzo, Tristan und Isolde, and Verdi’s Don Carlo. He returns twice to Sydney Symphony over the course of the season and makes guest appearances in Chicago, Houston, Pittsburgh, Detroit, and Cincinnati.

Runnicles tours regularly with Deutsche Oper Berlin to destinations such as the Edinburgh International Festival, the London Proms, Royal Opera House Muscat in Oman, and Dubai. He has joined the Philadelphia Orchestra on tours to China, summer residencies at Bravo! Vail Music Festival in Colorado, and annual subscription concerts. A frequent guest conductor with the Chicago Symphony, Runnicles’ performance history dates back to 1997. Over a decade-long relationship with the Vienna State Opera, he led new productions of Parsifal, Britten’s Billy Budd, and Peter Grimes, as well as core repertoire pieces.

Runnicles’ extensive discography includes recordings of Wagner’s Tristan and Isolde, Mozart’s Requiem, Orff’s Carmina Burana, Britten’s Billy Budd, Humperdinck’s Hansel and Gretel, Bellini’s I Capuleti e i Montecchi, and Aribert Reimann’s L’invisible. His recording of Wagner arias with Jonas Kaufmann and the Orchestra of the Deutsche Oper Berlin won the 2013 Gramophone Award for Best Vocal Recording, and his recording of Janáček’s Jenůfa with the Orchestra and Chorus of the Deutsche Oper Berlin was nominated for a 2016 GRAMMY award for Best Opera Recording.

Sir Donald Runnicles was born and raised in Edinburgh, Scotland. He was appointed OBE in 2004, and was made a Knight Bachelor in 2020. He holds honorary degrees from the University of Edinburgh, the Royal Scottish Academy of Music and Drama, and the San Francisco Conservatory of Music.

The Australian National Academy of Music (ANAM) is an international, dynamic and outward-facing cultural institution, training and performance company, with a demonstrated commitment to engaging with its communities. Founded in 1996, ANAM is internationally renowned as the only purely classical music performance training academy in Australia, and one of the few in the world. 

ANAM provides an intense studio-based program of individually tailored lessons, classes, coaching, seminars and rehearsals. The focus is on outstanding pedagogy, which is reflected in one of the country’s most active and innovative performance programs, with over 200 public performances annually. ANAM complements its studio and performance programs with additional musician enhancement activities, including Health and Wellbeing, Professional Development and Community Engagement.

ANAM has industry partnerships with over 20 organisations, including the Australian Chamber Orchestra, Sydney Symphony Orchestra, Tasmanian Symphony Orchestra, Melbourne Symphony Orchestra, West Australian Symphony Orchestra, the Auckland Philharmonia, Musica Viva Australia, a range of national music and arts festivals, and internationally with the Berliner Philharmoniker, Bayerisches Staatsorchester (Munich), Mahler Chamber Orchestra (Berlin) and London’s Royal College of Music.

Alongside NIDA, the Australian Ballet School, NAISDA Dance College and other leading institutions, ANAM is a member of the Australian Government-funded Arts8 group of performing arts training organisations. The Arts8 are committed to providing the high level and intense studio-based training necessary to ensuring that the national performing arts sector has a pipeline of creative talent that will enable it to continue telling Australian stories for generations.

ANAM alumni are found in many of the world’s leading orchestras and ensembles, and ANAM’s intensive schedule brings together a global network of artists and performers who provide invaluable mentorship and guidance for emerging young musicians through public performances, in-residence masterclasses and other programs.