Over the course of a career spanning 45 years, Sir Donald Runnicles has built his reputation on enduring relationships with major symphonic and operatic institutions. Focusing on depth over breadth, he has held chief artistic leadership positions at the Deutsche Oper Berlin (since 2009), Grand Teton Music Festival (since 2005), San Francisco Opera (1992–2008), BBC Scottish Symphony Orchestra (2009–2016), and Orchestra of St. Luke’s (2001–2007). Sir Donald was also Principal Guest Conductor of the Atlanta Symphony Orchestra for more than two decades (2001–2023), and he is the first ever Principal Guest Conductor of the Sydney Symphony Orchestra (since 2019). In February 2024, Runnicles was appointed as Chief Conductor of the Dresden Philharmonic, which will begin with the 2025/26 season.

Known as a consummate Wagnerian and conductor of German Romantic repertoire, Runnicles leads Deutsche Oper Berlin this season in a new production of the Richard Strauss rarity, Intermezzo, directed by Tobias Kratzer, as well as revival performances of Parsifal and two full cycles of Wagner’s Ring des Nibelungen. At the Metropolitan Opera, he conducted eight performances of the Otto Schenk production of Tannhäuser. Other 2023/24 appearances include the Dresden Philharmonic, Dallas Symphony, Cincinnati Symphony, and Utah Symphony, where he led the world premiere of a new concerto written and performed by Sir Stephen Hough.

Runnicles spends his summers at the Grand Teton Music Festival in Jackson, Wyoming. This eight-week festival of symphonic and chamber music, five of which are programmed, planned, and conducted by Runnicles as music director, takes place amid the breathtaking beauty of Grand Teton National Park. Summer 2024 GTMF festival highlights included a semi-staged The Magic Flute, concerts with Augustin Hadelich and Yo-Yo Ma, and two fifth symphonies by Mahler and Vaughan Williams.

Runnicles’ 2024/25 season opens with a 70th birthday celebratory concert closing the Edinburgh Festival with Bruckner’s Ninth Symphony, after which he opens the Dresden Philharmonic season and then continues to Berlin for a concert with the Deutsche Oper Berlin Orchester as part of the Berlin Festival. Runnicles’ 2024/25 Deutsche Oper Berlin season includes a new production of Richard Strauss’ Die Frau ohne Schatten and revivals of the Zemlinsky one-act opera Der Zwerg (The Dwarf), Arabella, Intermezzo, Tristan und Isolde, and Verdi’s Don Carlo. He returns twice to Sydney Symphony over the course of the season and makes guest appearances in Chicago, Houston, Pittsburgh, Detroit, and Cincinnati.

Runnicles tours regularly with Deutsche Oper Berlin to destinations such as the Edinburgh International Festival, the London Proms, Royal Opera House Muscat in Oman, and Dubai. He has joined the Philadelphia Orchestra on tours to China, summer residencies at Bravo! Vail Music Festival in Colorado, and annual subscription concerts. A frequent guest conductor with the Chicago Symphony, Runnicles’ performance history dates back to 1997. Over a decade-long relationship with the Vienna State Opera, he led new productions of Parsifal, Britten’s Billy Budd, and Peter Grimes, as well as core repertoire pieces.

Runnicles’ extensive discography includes recordings of Wagner’s Tristan and Isolde, Mozart’s Requiem, Orff’s Carmina Burana, Britten’s Billy Budd, Humperdinck’s Hansel and Gretel, Bellini’s I Capuleti e i Montecchi, and Aribert Reimann’s L’invisible. His recording of Wagner arias with Jonas Kaufmann and the Orchestra of the Deutsche Oper Berlin won the 2013 Gramophone Award for Best Vocal Recording, and his recording of Janáček’s Jenůfa with the Orchestra and Chorus of the Deutsche Oper Berlin was nominated for a 2016 GRAMMY award for Best Opera Recording.

Sir Donald Runnicles was born and raised in Edinburgh, Scotland. He was appointed OBE in 2004, and was made a Knight Bachelor in 2020. He holds honorary degrees from the University of Edinburgh, the Royal Scottish Academy of Music and Drama, and the San Francisco Conservatory of Music.

Leonidas Kavakos is recognised across the world as a violinist and artist of rare quality.

Acclaimed for his captivating artistry, superb musicianship, matchless technique and the integrity of his playing, Kavakos performs with the world’s leading orchestras as both soloist and conductor, and in recital at the world’s premier venues. In 2022 Kavakos founded the ApollΩn Ensemble, a chamber group of elite Greek musicians who are in increasing demand internationally, and in 2025 he takes over as the Artistic Director of the “Classic Revolution” Festival at Lotte Concert Hall, Seoul.

Highlights of Kavakos’ 25/26 season include performances with the Concertgebouw Orchestra, New York Philharmonic, Leipzig Gewandhaus Orchestra, San Francisco Symphony, Frankfurt Radio Symphony, NHK Symphony, NDR Symphony, Santa Cecilia, Orchestre Philharmonique de Radio France and conducting engagements with Czech Philharmonic, Philharmonia, Barcelona Symphony and Minnesota orchestras. He appears in recital in London, Milan, Oslo, Budapest, Zagreb and elsewhere; with the ApollΩn Ensemble he performs at the Edinburgh International, Verbier, Santander festivals, London’s Wigmore Hall and Vienna’s Musikverein.

Kavakos's extensive and award-winning discography includes the Brahms Violin Concerto with the Gewandhausorchester Leipzig and Riccardo Chailly (Decca), and the Beethoven Violin Concerto which he also conducted with the Symphonieorchester des Bayerischen Rundfunks (Sony Classical). He was named ECHO Klassik Instrumentalist of the Year for his recording of the complete Beethoven Sonatas with Enrico Pace. With Emanuel Ax and Yo-Yo Ma, Kavakos has released a series of trio recordings to the highest critical acclaim. With the ApollΩn Ensemble, he has recorded Bach’s Violin Concertos.

Kavakos curates an annual violin and chamber music masterclass in Athens, where he was born and brought up in a musical family.

In 2022, he was elected by the Academy of Athens as a member of the Chair of Music in the Second Class of Letters and Fine Arts for his services to music. In 2024, he was appointed professor of violin at the Basel Academy of Music.

Kavakos plays the ‘Willemotte’ Stradivari violin of 1734.