Over the course of a career spanning 45 years, Sir Donald Runnicles has built his reputation on enduring relationships with major symphonic and operatic institutions. Focusing on depth over breadth, he has held chief artistic leadership positions at the Deutsche Oper Berlin (since 2009), Grand Teton Music Festival (since 2005), San Francisco Opera (1992–2008), BBC Scottish Symphony Orchestra (2009–2016), and Orchestra of St. Luke’s (2001–2007). Sir Donald was also Principal Guest Conductor of the Atlanta Symphony Orchestra for more than two decades (2001–2023), and he is the first ever Principal Guest Conductor of the Sydney Symphony Orchestra (since 2019). In February 2024, Runnicles was appointed as Chief Conductor of the Dresden Philharmonic, which begun with the 2025/26 season.

Known as a consummate Wagnerian and conductor of German Romantic repertoire, Runnicles leads Deutsche Oper Berlin this season in a new production of the Richard Strauss rarity, Intermezzo, directed by Tobias Kratzer, as well as revival performances of Parsifal and two full cycles of Wagner’s Ring des Nibelungen. At the Metropolitan Opera, he conducted eight performances of the Otto Schenk production of Tannhäuser. Other 2023/24 appearances include the Dresden Philharmonic, Dallas Symphony, Cincinnati Symphony, and Utah Symphony, where he led the world premiere of a new concerto written and performed by Sir Stephen Hough.

Runnicles spends his summers at the Grand Teton Music Festival in Jackson, Wyoming. This eight-week festival of symphonic and chamber music, five of which are programmed, planned, and conducted by Runnicles as music director, takes place amid the breathtaking beauty of Grand Teton National Park. Summer 2024 GTMF festival highlights included a semi-staged The Magic Flute, concerts with Augustin Hadelich and Yo-Yo Ma, and two fifth symphonies by Mahler and Vaughan Williams.

Runnicles’ 2024/25 season opened with a 70th birthday celebratory concert closing the Edinburgh Festival with Bruckner’s Ninth Symphony, after which he opened the Dresden Philharmonic season and then continued to Berlin for a concert with the Deutsche Oper Berlin Orchester as part of the Berlin Festival. Runnicles’ 2024/25 Deutsche Oper Berlin season included a new production of Richard Strauss’ Die Frau ohne Schatten and revivals of the Zemlinsky one-act opera Der Zwerg (The Dwarf), Arabella, Intermezzo, Tristan und Isolde, and Verdi’s Don Carlo. He returned twice to Sydney Symphony over the course of the season and made guest appearances in Chicago, Houston, Pittsburgh, Detroit, and Cincinnati.

Runnicles tours regularly with Deutsche Oper Berlin to destinations such as the Edinburgh International Festival, the London Proms, Royal Opera House Muscat in Oman, and Dubai. He has joined the Philadelphia Orchestra on tours to China, summer residencies at Bravo! Vail Music Festival in Colorado, and annual subscription concerts. A frequent guest conductor with the Chicago Symphony, Runnicles’ performance history dates back to 1997. Over a decade-long relationship with the Vienna State Opera, he led new productions of Parsifal, Britten’s Billy Budd, and Peter Grimes, as well as core repertoire pieces.

Runnicles’ extensive discography includes recordings of Wagner’s Tristan and Isolde, Mozart’s Requiem, Orff’s Carmina Burana, Britten’s Billy Budd, Humperdinck’s Hansel and Gretel, Bellini’s I Capuleti e i Montecchi, and Aribert Reimann's L’invisible. His recording of Wagner arias with Jonas Kaufmann and the Orchestra of the Deutsche Oper Berlin won the 2013 Gramophone Award for Best Vocal Recording, and his recording of Janáček’s Jenůfa with the Orchestra and Chorus of the Deutsche Oper Berlin was nominated for a 2016 GRAMMY award for Best Opera Recording.

Sir Donald Runnicles was born and raised in Edinburgh, Scotland. He was appointed OBE in 2004, and was made a Knight Bachelor in 2020. He holds honorary degrees from the University of Edinburgh, the Royal Scottish Academy of Music and Drama, and the San Francisco Conservatory of Music.

In a career spanning over two decades, Lukáš Vondráček, the indisputable winner of the Grand Prix at the 2016 International Queen Elisabeth Piano Competition, has travelled the world and performed with the foremost orchestras such as The Philadelphia Orchestra, Boston Symphony, Cleveland Orchestra, Chicago Symphony, Baltimore Symphony, Los Angeles Philharmonic, Sydney Symphony, West Australian Symphony, Tokyo Metropolitan, Czech Philharmonic, Warsaw Philharmonic, Frankfurt Radio Symphony, Dresden Philharmonic, Bamberg Symphony, Lucerne Symphony Orchestra, Philharmonia Orchestra, London Symphony and Oslo Philharmonic. He is a frequent collaborator of conductors such as Jakub Hrůša, Marin Alsop, Paavo Järvi, Gianandrea Noseda, Yannick Nézet-Séguin, Christoph Eschenbach, Klaus Mäkelä, Giancarlo Guerrero, Manfred Honeck, Xian Zhang, Pietari Inkinen, Vasily Petrenko, and Stéphane Denève, among many others.

In recitals, Lukáš has performed at Hamburg’s Elbphilharmonie, the Flagey in Brussels, Leipzig’s Gewandhaus, Wiener Konzerthaus, the Concertgebouw in Amsterdam and at renowned festivals such as Menuhin Festival Gstaad, Edinburgh International Festival, Chopin and his Europe, Le Piano Symphonique at KKL, PianoEspoo in Finland, Prague Spring Festival and Lille Piano Festival.

Lukáš Vondráček’s 2026/27 distinguished season highlights include debuts at the BBC Proms with BBC Symphony Orchestra and with the Orchestre Philharmonique de Radio France both under Jakub Hrůša, and the Royal Stockholm Philharmonic Orchestra under Elim Chan. Lukáš is also returning to the Baltimore Symphony Orchestra under David Afkham, Bamberg Symphony Orchestra under Juraj Valčuha, Brussels Philharmonic under Kazushi Ono, Copenhagen Phil under Anna Rakitina, Janáček Philharmonic Ostrava under Andrey Boreyko at the St. Wenceslas Music Festival and under Daniel Raiskin at the Bratislava Music Festival, and two engagements with the Prague Radio Symphony Orchestra under Elias Grandy and Michal Nesterowicz. Further collaborations with orchestras this season include the Aalborg Symfoniorkester, Orchestre national de Lyon, Hamburger Symphoniker, Gävle Symfoniorkester, RTV Slovenia Symphony Orchestra, Filharmonia Poznańska, and Belgrade Philharmonic Orchestra. This season’s recital appearances include a return to Rudolfinum’s Dvořák Hall in Prague.

At the age of four Lukáš Vondráček made his first public appearance. As a fifteen-year-old in 2002 he made his debut with Czech Philharmonic Orchestra and Vladimir Ashkenazy which was followed by a major US tour in 2003. His natural and assured musicality and remarkable technique have long marked him out as a gifted and mature musician. He has achieved worldwide recognition by receiving many international awards, foremost first prizes at the Hilton Head and San Marino International Piano Competitions and Unisa International Piano Competition in Pretoria, South Africa, as well as the Raymond E. Buck Jury Discretionary Award at the 2009 International Van Cliburn Piano Competition. 

Lukáš Vondráček obtained an Artist Diploma from Boston's New England Conservatory under the tutelage of Hung-Kuan Chen, graduating with honours in 2012.