By Hugh Robertson

Only just turned 21, Eva Gevorgyan has made a meteoric rise through the ranks of young virtuoso pianists, winning awards and recognition at dozens of piano competitions around the world and ‘[evoking] memories of notable Russian luminaries like Emil Gilels and Bella Davidovich’ (Gramophone).

Ahead of her Australian debut recital and concerto performances, she reveals her musical inspirations and tells is more about the works she has chosen to perform.

When did you first fall in love with music?

I fell in love with music at a very young age. My mother is a violist, and I grew up listening to her practice and perform. Watching her dedicate herself to music inspired me deeply, and I developed a natural curiosity and passion for it. She was my first teacher.

I asked my mum to buy me a small violin, but later I realized that I enjoy playing the piano more.

When did you realise you wanted to devote your life to music?

When I was seven years old and accepted into the Central Music School by Moscow Conservatory, I realised that I wanted to dedicate my life to music. It became clear to me that it has always been a fundamental part of my life, surrounding me and inspiring me every day.

You have been laureate of over 40 piano competitions. What did all those competitions teach you about music, and about yourself as a performer?

Participating in over 40 piano competitions has been a truly enriching journey. Each competition challenged me to grow both as a musician and as a person, teaching me discipline, how to handle pressure and nervousness and to learn a lot of new repertoire. Participating in competitions has helped me introduce myself to a wider audience and has opened many doors for me.

I have met many wonderful people who share my passion for music, and I now have the opportunity to share my art with audiences around the world.

What is your dream for your music, and your career?

My dream for my music and career is to touch people's hearts and inspire others through my performances. I aspire to grow as an artist, continuously exploring new repertoire and deepening my understanding of music. I want to share my passion on international stages, connecting with diverse audiences and creating meaningful musical experiences.

What is it in Manuel de Falla’s music that you connect to?

I feel a special connection to Falla’s music through its passion, emotional sincerity, and rich cultural traditions. His music evokes a sense of warmth and vibrancy that reminds me of my studying in Madrid and the lively spirit of Spanish culture. I have a special love for this country and I enjoy exploring the music of its composers and its culture. It’s this authenticity and energy that make his music feel particularly close to me.

How would you describe Nights in the Gardens of Spain to someone who has never heard it before? Does Falla’s music remind you for any other composers?

Nights in the Gardens of Spain is incredibly colourful and vibrant. It evokes the atmosphere and sounds of Andalusian landscapes, particularly Granada and the Sierra Nevada mountains.

Sometimes it reminds me of Debussy, with its interesting harmonies, delicate and expressive qualities that create a vivid, almost dreamlike atmosphere.

there is more of a dialogue between the instruments here than in a more traditional piano concerto. The piano plays a significant role, often taking the role of a singer in the third movement, evoking the cante jondo style of flamenco. I think that makes this piece even more unique.

Your recital program is packed with favourite pieces. What do you love about these works?

I chose these pieces because they each showcase different aspects of piano music and create a beautiful program.

Beethoven’s Sonata No. 27 captivates me with its profound character, revealing a mature and thoughtful side of his middle period. It allows me to explore deep emotional expression and his musical language when he was pushing the boundaries of classical music.

The Brahms Intermezzi move me with their lyrical beauty and delicate nuances, showcasing his ability to convey deep feelings with subtlety, which contrast beautifully with Ravel’s La valse – a lively and colourful work full of elegance and playful charm, highlighting his mastery of harmony.

Finally, Schumann’s Carnaval brings a sense of character and storytelling, capturing the essence of Romantic creativity andtying the program together with its variety of moods and styles.

What I love about these pieces is their emotional depth, expressive richness, and the way they each tell a unique story – making this program a meaningful journey for both myself and the audience.

Finally, what are you looking forward to for your first visit to Australia?

I'm really looking forward to experiencing Australia’s unique culture and stunning landscapes. I am excited to explore famous landmarks like Sydney Opera House. I also hope to learn more about the local traditions, meet new people and immerse myself in the Australian way of life. This will be my first visit to Australia, so I am eager to discover everything the country has to offer, from its diverse wildlife to its rich history.

Overall, I see this trip as a wonderful opportunity for personal growth, cultural exchange and creating unforgettable memories.